One of a few songs I wrote and produced with Marius De Vries. I was such a huge fan of his work in the past with Bjork and Madonna's Ray of Light record. But years ago when we first met I found him terrifying! He represented the potential for massive change in musical direction and although that excited me - four years ago I wasn't ready.

Years later I approached him to work with me on this album and this song was the first thing we wrote together. It represents the real book end of everything I had to say from this whole experience of being completely honest on an album, from an autobiographical point of view. I had gone from accusation to taking responsibility to finally letting go.

This song was possibly the most traditional structure on the record and Spike really messed with it in production to make it fit more with where the rest of the record was heading. I love the effects on the vocals and how messed up the guitar became. It almost sounds like white noise but I swear it's a fender.